Jan 30, 2018 AquesTone2 (you need to scroll to the bottom of the readme to be able to click download) works in a very similar fashion to AquesTone. Download and installation is identical to AquesTone because it is also a VSTi. AquesTone2 has MANY more parameters but product usage is nearly the same. Voice synthesizer free download - Vocal Warm Up by Musicopoulos, Voice Synthesizer for Windows 10, Scrybe: Text To Speech Voice Reader Synthesizer, and many more programs. Synthesizer V Editor (Build 018) Easily create projects with multi-track vocals in the standalone editor or connect the editor to a DAW (digital audio workstation) software via VST interface. Since the release of Technical Preview version in August 2018, the synthesis engine has been continuously improved, leading to more crispy voices and less.
It’s been a while since I surveyed the market for free software synths, so I thought I’d give it go and see what’s new and what has stood the test of time. Little snitch mac os x 10.6 download. Some of these instruments were released as prototypes or were the early experiments of developers just entering the market.
Free stuff is not always actually free. Often you will follow a link only to find out that it’s a free “demo”. Aren’t all demos supposed to be free?? In other cases, free software is dangled like a carrot in order to get your email address or to entice you into buying other products, preset libraries, add-ons, etc.
Well, business is business, and I suppose everyone needs to make a buck. I really don’t mind spending a few dollars for some shareware now and again to support a budding developer. But it behooves even the most experienced consumer to proceed with caution when the word free is thrown around.
What follows are some awesome sounding instruments in no particular order that are indeed free with very few strings attached. And if you can stomach a little extra spam, some of these may prove valuable additions to your stockpile of synths.
1. TyrellN6 by u-he
- Virtual analog with classic architecture, plus extras.
- Two oscillators, noise, ring modulator.
- Two LFOs with eight waveforms that are host-syncable.
- Audio source mixer with authentic overdrive and filter feedback.
- Twin filter related to Diva (early model).
- Unison with up to eight voices.
- Analog-type ADSR envelopes, loopable or LFO-triggered.
- Small modulation matrix with depth modulation from a second source.
- Chorus effect with three modes.
- MIDI learn / unlearn for hardware control.
- Resizable UI from 70% to 200%.
- Skinnable UI.
- Over 580 factory presets.
This thing is responsive as hell and sounds sweet! I love the stained and grungy aesthetic of the interface. It’s really hard to believe it’s free. But it serves its purpose I suppose because it truly whets the appetite for more stuff from u-he.
2. Dexed
Dexed is an emulation of the classic FM synth: Yamaha DX7.
From the Github page:
Fl studio mastering vst free download windows 10. Many complain that it is not realistic-sounding at all, given its clunky velocity and sensitivity. Native Plugins FL KeysWe all know that among FL’s stock instruments, the FL Keys is not the sharpest tool in the shed. And let’s be honest, it sounds more like a toy than an actual piano.Synthesizing a piano is actually very difficult, given the complexity of the piano as an instrument. This makes a producer simultaneously a pianist, a drummer, a trumpetist, and conductor – a one-person orchestra. The presets are also very limited, making it barely usable.
“Dexed is a multi-platform, multi-format plugin synth that is closely modeled on the Yamaha DX7. Dexed is also a midi cartridge librarian/manager for the DX7. Do not expect this to be a perfect clone of a DX7 since this will take years in the open source world and multiple collaborators before getting there … Since Dexed is modeled on the DX7, the Yamaha DX7 Operating Manual can be used as a reference documentation.”
The interface is a little cluttered and is more functional than it is aesthetically pleasing, but there are a ton of sonic possibilities with this for those willing to dig in.
3. MiniSpillage
“MiniSpillage is a free professional quality drum synthesizer plugin featuring high-resolution 64-bit DSP processing.
MiniSpillage includes three exclusive drum synthesis algorithms along with distortion effects and resonant filters.”
MiniSpillage includes three exclusive drum synthesis algorithms along with distortion effects and resonant filters.”
- Bass Drum – Single oscillator bass drum synth with pitch sweep, internal FM and harmonic controls.
- Wood Drum – Flexible wooden drum model synthesizes natural and synthetic timbres from log drums to toms.
- Hi-Hat – Six oscillators closed and open hi-hat generator with a noise source and dual resonant filters.
This is a great free option for those that want to create their own drum sounds with modulation, filtering and distortion effects.
4. Crystal Synth by Green Oak
This is one is a bit frustrating and takes a while to get anything remotely usable. The interface is on the clunky side. But a little patience can be rewarding.
5. Lokomotiv
Lokomotiv is an analog retro synthesizer that is impressive from the first launch. Its austere interface is surprisingly responsive and sounds immediately great.
Oscillator:
- Mathematically generated high definition Oscillator without using wavetable or interpolation.
- Silky smooth 9X detuned sawtooth wave.
- Pulse wave with self PWM.
- Shape morphing sub-oscillator.
Filter:
- MG ladder modeling multimode filter featuring Zero Delay Feedback technology.
- Routable filter Drive (Pre/Post).
Modulator:
- Natural Curved ADSR Envelope generator.
- One-shot LFO which can be used as envelope.
Specification:
- 1X OSC (Saw+ Pulse) + One Sub OSC, Noise Generator.
- 1X multimode Filter with Drive.
- 1X LFO, 1X Envelope Generator.
- Eight polyphonic voices, Mono and Legato mode supported.
- 64 Factory presets included.
- Native 64-bit, Mac and Windows OS supported.
6. Digits from Extent of the Jam
This one sports a subdued color palette with beefy growls, preset chords and brass sounds. A bit of crackling when parameters are modified, but worth the time to download for sure.
7. Spitfire Audio – LABS
Not long ago, Spitfire Audio released an ongoing series of completely free instruments called LABS. These are very, very simple sampled instruments with just a handful of controls and they sound really, really good. So far the collection includes:
- Charango
- Electric Piano
- Amplified Electric Cello Quartet
- Drums
- Strings
- Soft Piano
If you’ve used any of the Spitfire Sample Libraries before, you know how well they’re recorded, and these instruments are no exception. While you won’t get the flexibility or deep sampled variety of a full-scale library, you will get a great sound that can be slightly varied to taste. While these are sampled instruments as opposed to synths, they’re free and so good that I felt they warranted inclusion.
8. TAL NoiseMaker
This is one my of favorite choices. The interface is accessible, clean and to the point and thick, beefy sounds are possible from the get-go. Really nice!
From the developer: “TAL NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect. A display shows the knob and slider values. This allows more control over the synth. A ring modulator and a syncable triangle are also part of this synth.”
TAL NoiseMaker includes new filter types and the self-resonating 6 dB low pass and notch filter. Its improved amplitude ADSR is very suitable for slow pads and for really fast envelopes. 128 factory presets included, 80 made by Frank “Xenox” Neumann.
Features:
- Three Oscillators. Osc 1, +/- 24 semitones, fine tune, phase control (saw, pulse, noise). Osc 2, +/- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine). Sub Osc (rectangle).
- Osc 1 PM for pulse waveform.
- Osc 2 FM controlled by Osc 1.
- Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle (bipolar sync)).
- Adjustable master tune and transpose.
- Up to six voices.
- Portamento in mono and poly mode (off, auto, on).
- Ringmod modulates Osc 1 with Osc 2.
- Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch).
- Filter ADSR (negative and positive).
- Volume ADSR
- Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
- Two LFO’s with different running modes: free, sync to host, triggered by note. Modulates filter, Osc 1, Osc 2, FM, PW, LFO rate, Panorama and Volume. Sine, Triangle, Saw Square, S&H, Noise. Positive and Negative modulation. Phase control.
- Adjustable Velocity-dependent control over volume filter contour and cutoff.
- Adjustable Pitch Wheel control over Cutoff and Pitch.
- One pole HP filter.
- Detune, detunes notes randomly.
- Juno chorus with different modes.
- A built-in reverb and delay.
- Adjustable filter drive.
- Bitcrusher affects Osc 1 and Osc 2. It’s a pre-filter stage effect.
- MIDI Learn for all knobs.
- Panic button.
- Easy to use, no hidden panels.
- 256 great presets (Presets by Frank “Xenox” Neumann, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).
9. Thump by Metric Halo
Thump is a unique audio processor that allows you to synthesize low-frequency audio to add low end to a track or generate another sound entirely. Thump looks at the pitch and dynamics of its audio input and uses this information to control its oscillators. You can add low end to drums, augment a bass or even create synthetic drones.
Thump is ideal for beefing up a kick drum, adding low end to percussive tracks, recreating classic drum synth sounds and more. You can use Thump’s envelope driven, percussive sub-harmonic synth for the following things (among others):
- Build low-octave support for bass drum, tom, snare and other percussive tracks.
- Create kettle drum sounds from regular drum tracks.
- Recreate the sounds of classic drum synths like the TR-808.
The effect of Thump is similar to generating a sine wave or other waveform on a gated track that is side-chained to a transient on another track such as a kick. But Thump allows more control, two oscillators that can be changed on the fly and more pitch specific envelope control. If you like kicks that are thick as hell and challenge the range of human hearing, you will like Thump a lot.
NOTE: the instrument requires a transient input to be activated so you would use it like an insert rather than a standalone synth.
10. Synth 1 by Daichi Laboratory
While the interface is a bit nasty and pixelated, Synth 1 by Ichiro Toda is modeled after the Nord Lead 2 Red Synth and sounds decent. It doesn’t take long to get a few usable sounds and the onboard arpeggiator is great for experimenting. (Manual)
11. PG-8X by Martin Lüder
“The PG-8X is a virtual synthesizer, inspired by the Roland JX-8P with the PG-800 programmer. The synth architecture is a standard 2-oscillator -> Filter -> VCA design. These elements can be modulated by a common LFO and one of two envelopes. The PG-8X is patch compatible with the JX-8P and can read and write JX-8P Sysex data”. (Manual)
Conclusion
While these instruments may not be the best things in life — they are free. And it has been my experience that there is something to be learned from every piece of software, as there is from all types of music. Experimentation and exploration yield untold rewards for the adventurous, and freeware is a great place to start your journey or a means to unshackle yourself, at least temporarily, from the financial constraints that plague us all.
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Check out my other articles, reviews, interviews and my video tutorial series, Synthesis 101 available exclusively on The Pro Audio Files.
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3 FREE Max for Live Devices
Download three free Max for Live Devices from Phil Mantione.
VocalSynth is designed to open up an expansive array of vocal potential, allowing the user to produce complex, interesting and unique vocal effects.
Shape and manipulate your voice to create electronic vocal textures, robot sounds, computerised harmonies, vocoder and talkbox effects, and thick octaves or doubles. Uncover otherworldly sonic palettes or finally access the vocal treatments of your favourite tracks.
Vocoder | Talkbox | Polyvox | Compuvox | Auto or MIDI voice generation.
Automatic Pitch Correction | Distort | Filter | Transform | Shred | Delay.
Key Features:
- Four vocal engines: Get robotic vocals (Vocoder), organic harmonies (Polyvox), glitchy digital speech (Compuvox), and singing synthesized sounds (Talkbox).
- Specialized vocal effects: Add edgy or tasteful distortion, filters, speaker convolution modeling, beat-repeating madness, and wide stereo delays.
- Pitch correction: Correct off-key notes in your vocals with real-time pitch correction with natural-sounding results.
- Streamlined voice generation: Add harmonies, octaves, or unisons in Auto mode, or get the exact harmony voicings you want.
- Presets: Quickly access classic sounds you’ve known and loved, plus distinctive new combinations of all four vocal engines.
- Vocoder
- Explore new worlds of robotic vocal sounds with this powerful vocoder that’s easy to setup and packed with great presets to get started quickly.
- Quickly choose between a range of classic hardware and modern digital vocoder sounds.
- Three modes: Smooth, Vintage, and Hard.
- Talkbox
- All the funk without the steep learning curve, slobbery PVC tubes and rattling teeth.
- Emulate an old school Talkbox to make a synthesizer or any side-chained instrument “talk” like you.
- Three modes: Dark, Classic, and Bright.
- Polyvox
- Create organic harmonies built from your voice with this polyphonic pitch shifter.
- Give vocals more “oomph” by building a group of backup singers that sound as natural or as computerized as you want.
- Add a whole heap of pitch-shifted superhero sounds to your voice.
- Compuvox
- Computer voice effect modeled after the handheld talking and teaching toys of the ’80s.
- From text-to-speech emulation to space age hooks, get a range of glitchy digital vocals effects.
- Pull out the breathy “spookiness” from the voice.
- Auto or MIDI voice generation
- In Auto mode, just sing and VocalSynth will add voices to create chords, octaves, or doubles. In MIDI mode, play your optimum melody or harmony on a keyboard and VocalSynth automatically shifts your voice to those notes.
- Automatic Pitch Correction
- Pitch correction lets you do anything from subtle, reasonable correction to more extreme pitch-shifting effects.
- Distort
- A wave-shaping distortion with custom tones designed to enhance VocalSynth’s re-synthesis engines. The distortion module is great for either subtle overdrive or gnarly, harsh, high-gain distortion. It’s loud, it’s noisy, it’s great.
- Filter
- Filtering is a simple but effective way of adding character to your vocal. VocalSynth’s Filter includes our New York Low-Pass for a warm and buttery ’60s-style 4-pole ladder effect, Scream for resonant filtering and aggressive peaks and overdrive, or the Combo filter that combines both flat High-Pass and Low-Pass filters in a single sweepable control.
- Transform
- The hand-picked convolution speaker models bring out the full character of VocalSynth’s re-synthesis engines. Dial in amp convolutions and speaker emulations to enhance space and realism or find common special effects like telephone or radio voice. Choose the right space for your vocal.
- Shred
- An evolution of iZotope’s beat-repeating technology, just turn it up and immediately achieve the glitchy, funky dance track sounds you’ve been after. Shred takes part of the buffer and repeats it in interesting ways that add rhythmic range to your vocal-processing arsenal.
- Delay
- VocalSynth’s Delay is a wide stereo delay with just a bit of filtering for flavor. The Delay creates exciting spatial effects with panning movement, great for adding interest to an otherwise steady vocal track.